An artist statement is constantly rewritten and almost always out of date because things keep moving on.
Art is a big compromise. It starts with a big lie and the success is to make it as true as possible. The moment that you want to talk about something, it becomes a copy of it. You leave out so many things or you put in many others that don’t exist.
It is back-to-school time and I would like to wave the summer goodbye in the gentlest way possible, featuring Cartas y Atardeceres (Letters and Sunsets) by Diango Hernández. The ongoing project exists online. The artist sources photographs of modern architecture and superimposes his characteristic graphic waves inspired by letters as a literary genre as well as actual letters from relevant personalities.
“This is a project proposal, a sort of collage. Something I am currently developing which involves buildings that I consider remarkable. Special places that my imaginary letters just activate.”
Summer brings a profound tension between chilling in the sun and making the most of the time off to explore art galleries and museums. My mantra: always minimum compromise. Before I pack for the holidays, these are a few must-do art exhibitions that you can enjoy by the Med, as you sail your summer away. See you there or back in September!
The emerging from LISTE, the established at Art Basel and the museum exhibitions of Kunstmuseum Basel. At the fairs, I have prioritised those artists I haven’t spoken about or featured yet on the blog. These are my highlights.
Next week I will be attending Art Basel. To compensate for the splendor-at-a-prize that is to come, this week I cover art that is accessible to all budgets. I am not a fan of labelling art as affordable because price should not be the main selling point. More often than not, what is presented as affordable is glorified-IKEA art, lacking interest and ending as pure décor bound to come out of fashion. However, there is a lot happening online that is worth having a look at because it is fun, innovative, sensitive, aesthetically mindful and it is a click away. I have hand-picked works which range from under £100 and up to £8,000. What is not to like?
Victor Benady’s Art Collection: “I don’t worry about investment. What concerns me is meeting the artist, immersing myself in the studio practice, getting under the skin of things and building relationships”
“The modular nature of the works mean that they may be perceived as a section of something that could be much larger. This idea of the infinite, fluidly extending vertically or horizontally into space is an important quality of my works.”
Following two major exhibitions by Richard Tuttle in London in 2014, Tate Modern’s commission of a large textile sculpture for its monumental Turbine Hall and Whitechapel Gallery’s retrospective of the artist’s career from the 1960s, you can enjoy two new coinciding exhibitions until May 13th. The Critical Edge at Pace London and My Birthday Puzzle at Modern Art focus on textile and mixed-material assemblages respectively.