I have chosen three artists who are ’emerging’ into the market for very different reasons. These are my three picks from Frieze London, Frieze Masters and Sunday Art Fair.
The emerging from LISTE, the established at Art Basel and the museum exhibitions of Kunstmuseum Basel. At the fairs, I have prioritised those artists I haven’t spoken about or featured yet on the blog. These are my highlights.
Next week I will be attending Art Basel. To compensate for the splendor-at-a-prize that is to come, this week I cover art that is accessible to all budgets. I am not a fan of labelling art as affordable because price should not be the main selling point. More often than not, what is presented as affordable is glorified-IKEA art, lacking interest and ending as pure décor bound to come out of fashion. However, there is a lot happening online that is worth having a look at because it is fun, innovative, sensitive, aesthetically mindful and it is a click away. I have hand-picked works which range from under £100 and up to £8,000. What is not to like?
Following two major exhibitions by Richard Tuttle in London in 2014, Tate Modern’s commission of a large textile sculpture for its monumental Turbine Hall and Whitechapel Gallery’s retrospective of the artist’s career from the 1960s, you can enjoy two new coinciding exhibitions until May 13th. The Critical Edge at Pace London and My Birthday Puzzle at Modern Art focus on textile and mixed-material assemblages respectively.
“I like that performance is slightly more provisional. Not such a beautiful finished object. Unlike an object, it is a process that invites people to ask questions and get involved.”
Two to check out this month if you are hungry for images. Two exhibitions of works on paper, photography and collage respectively, that turn the focus onto the medium itself. Two group shows that offer a historical foundation in dialogue with current art practices. Both key for their relevance in our image-saturated age and also for their serendipity in showing works from different periods by the same artists. Just a hint: See Barbara Kruger’s powerful shout-out large frames at Skarstedt and then have a peek of a rare-to-catch small collage at Luxembourg & Dayan.
After an intensive preview weekend of CONDO 2017 trotting around London art galleries, these are my highlights. On its second edition, CONDO 2017 brings together 15 galleries across the city hosting 36 international galleries. The event gives the opportunity to small and medium size galleries to exhibit in London for a fraction of the cost compared to participating at an art fair. This year established galleries Maureen Paley and Sadie Coles have joined the venture. I love the model of exhibiting primary along secondary market work, from the 17th century Dutch Golden Age to mid-60s, 70s and 90s’ works. What follows is my personal visual take. You have until February 11 to make yours.